Nahtmmm wrote:
Good, thorough review, RJD.
Thanks. I'm glad you enjoyed it.

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Seriously? Wow.
Indeed. I learned this from the Commentary track.
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Not any old generic nonentity would decide this was a good idea.

But I do think Nero had some character. His simple diction ("I want Spock dead!"), his lack of social graces ("Hello, Christopher"), his "just do it" attitude (instead of keeping Spock on his ship for purposes of gloating as each planet is destroyed, for example, he drops him off to watch Vulcan and then just leaves him there) . . . all of these seem to me consistent with someone who captains a ship that mines planets. (Contrast all the above with, for example, Khan.)
Well, he was consistent, I suppose-- but mostly he seemed... absent. A cipher or plot device who we barely met. And even if he was dim-witted enough to want to kill the guy who tried to save his planet, why did the rest of his crew go along so willingly?
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The Romulan Empire was sort of Spock's pet project.

So one would expect him to be involved with such a project. And, if he worked out the details of using the red matter -- which I tend to assume he did -- he would probably want to be there when it was carried out, if only to have some chance of correcting things if it went wrong. Also, I assume someone else designed and built the ship.
Well, Reunification was his pet project, and the last time we saw him he was hiding with the Underground, persona non grata with the Empire. It seems unlikely that the Romulans would send a very old man (over 150, and not aging as well as a full-blooded Vulcan) who they consider an undesirable alien and infiltrator to singlehandedly attempt such a mission.
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I fully expect a future movie to include Spock somehow sending a message to himself in the other timeline to hurry up and reach the star in time to carry out the plan properly.
I suppose it would be nice to end a trilogy with such a plot device, negating this alternate timeline digression and returning everything to its proper structure; it would make the whole thing more palatable, although there is so much stupidity and so many anachronisms in this story that will never be good.
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I don't understand this remark. He wasn't a slave, no, and presumably neither were some or most of his underlings, but somebody's gotta pull all that ore out of the ground, no matter the society. Even the Federation, last I knew, had a few things it couldn't simply replicate at will.
Okay, I think you're right; this is probably not a legitimate point. Several times in TOS there were portrayals of Miners, and in the 24th Century the Romulans did use Reman slaves in their mines. So a Miner is consistent with Trek continuity.
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As best I remember, he was trying to take his anger out on Spock and both of them were accidentally pulled in by the thing.
Hmm, okay. I guess I wasn't clear on that point.
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I don't much care for that part, myself. I remember at TrekBBS, there seemed to be a segment who wanted the franchise continued with the destruction or defeat or what-have-you of the Federation. I still can't understand that viewpoint. It might be fun to watch them scrabble back up toward stability or survival, sure, but the preconditions would twist my stomach.
Exactly. This is an indication of how the audience has changed. The complaints about Starfleet officers being too civilized, the Enterprise looking like a hotel, the desire to see the Federation destroyed, et cetera.
This article about a book series where the Borg annihilate most of Starfleet and destroy several Federation worlds, resulting in trillions of deaths has a quote that says it all: "Writers were enthusiastic to tell of the destruction and scope of this novel series to an equally eager audience." I find it all very disturbing.
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The novel Best Destiny had Kirk as a young rebel, which to some extent I can imagine (though not like in that story -- rebellious yes, pointless and dippy no). Anyway, one could choose to see this as a testament to the effect George Kirk had on his son's life.
Certainly, that much makes sense; but the idea of turning Kirk-- who described himself as a grimly studious student when he was young-- into a barfighting doofus is included for the same reason the Beastie Boys were: To impress the lowest denominator.
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See above -- although the ejection of Kirk can't be written off as simple difficulty in writing the character.
Exactly. Spock could be unstable or emotional, as seen in "The Cage," but the bizarre ejection and stranding, and the later attempt at murdering him with his bare hands is mind-bogglingly ridiculous-- as is the lack of response from the Bridge crew or security in both cases. This is one the main reasons that this movie could never be considered good, even if they do correct the timeline; the writing is MSt3K material.
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I dislike the way McCoy got his nickname in this movie. "Bones" is apparently an old nickname for a doctor, which is fair enough and presumably the original inspiration. But now it's soaked with bitterness, and McCoy, for all the grumbling and criticizing he likes to do, is not a bitter character. Not primarily, anyway.
Yeah, that was completely unnecessary and inconsistent with the notion of his character as "an old country doctor." But, again, they no doubt thought the real background for the nickname would be considered 'cheesy' to the targeted teen demographic.